Blurring the Lines

Comics are a great example of a lowbrow form of literature, and transformed into more of a highbrow form like the graphic novel. At first comics just seemed to be like a quick disposable form of entertainment, with enticing visuals. A perfect example would be Windsor McCay. His Little Nemo in Slumberland comic is incredibly well drawn, and makes use of color in a attention grabbing way. The comic never leaves off on a cliff hanger everything is always resolved by  Nemo waking up.

While the content of Little Nemo stayed pretty static, the Tin Tin series changed over the years. Tin Tin is a very dull flat character was well towards the beginning. He just seems to just show up and say the catch phrase and be the hero. Towards the early part of the Tin Tin series Herge was pretty racist. Tin Tin in the Congo is an incredibly racist colonial piece of propaganda literature. I call this piece of literature propaganda it targets children, and gives them false assumptions of black people. It makes kids believe they are superior and more sophisticated than "savages from Africa"
Later in Herges career with Tin Tin, the stories start to morph. Tin Tin becomes a more interesting character, he starts to develop a personality that isn't like a wall. I read Tin Tin in Tibet and felt myself caring more about him and the search for his friend. It's relieving to see Herge grow of the colonial racist attitude. All of the excitement and adventure really hooked me as a child. Reading the series again gives I still get the feeling when reading the later books.
Also the format of Tin Tin makes it a transitional piece from disposable comic to  sustainable literature. Most comics are usually printed on cheap newsprint which makes it easy to consume and dispose of. Tin Tin is a cardboard bound book which makes it more sturdier, and something a reader would want to put on their bookshelf.